Miss Diana Ross

Diana Ross
Fox Theater
St. Louis, MO
Sunday, June 6, 2010
Section Balcony 03, Row A, Seat 125
$67.50

A lot of the music that I love comes from the time period before I was born or when I was too young to appreciate it. I learned a lot from listening to classic rock radio or delving into albums and CDs, reading books about the era, or listening to older fans. I wasn't exposed to Motown this way. I never went out of my way to listen to these recordings, but I know a lot of Supremes songs, just by picking them up through popular culture.

When a St. Louis show was announced for Diana Ross' retrospective tour, I was curious. She is legendary, and this would be a good opportunity to see her. I actually do have one of her albums. One of the nice things about being known as a record collector is the donations...people give me records they no longer have use for. One coworker gave An Evening With Diana Ross on LP a few years ago. Roy and I listened to it before the tickets went on sale to see if we really wanted to go. Plus, the show was at the Fox Theater, which is always nice.

We got tickets in the pre-sale, front row of the lower balcony, center section. These were great seats. We had a full view of the stage, mostly full view of the large screen behind it, and also a good view of the fans sitting in the orchestra pit. We brought binoculars too. I normally find them distracting during concerts; I'd rather be bopping around to the music than sitting still to look through them. I thought this show would be more about observing the performance than really getting into the music, and there would be a lot to see. We had fun watching the crowd too - this was a dress-up occasion for a lot of people there.

The show was scheduled to start at 7:30pm, but it really started another fifteen minutes after that. No opening act. The band took the stage and started playing an instrumental. I counted - it was an 18 piece backing band: 4 piece horn section, 5 piece string section, guitar, bass, drums, percussion, keyboard, piano, and three backup singers. The stage was set up in different tiers, so we could see them all clearly. Diana Ross appeared via a lift on the back of the stage and then walked down some steps to the front.

It was a dramatic entrance. She wore a sparkly dress with a big chartreuse wrap. I only mention her clothing because it was a big part of the show. Diana Ross changed into 4 other sparkly dresses in different colors throughout the concert. For all the concerts I've been to over the years, I've never gone to a big pop show with costume changes. It certainly gave us something to look at throughout the show. I used the binoculars the most when she made her entrances. Every time I looked at the legend close-up, she was smiling as she was singing.

The first couple songs didn't do much for me. I didn't think the sound was very good. Diana Ross' vocals were buried in the mix. I hoped the whole show wouldn't be like this. The third song Reflections was the first to really pull me in to the music. I wasn't familiar with it before the show, but it had that snappy Motown beat and harmonies that I expected from a show like this. The first portion of the show also contained songs You Can't Hurry Love, Stop in the Name of Love, and Love Child. It really was cool to watch live such an iconic moment of Diana Ross holding up her hand for "Stop" like the Supremes used to do. That is real musical history there.

Ross left the stage during Love Child to change her gown. The band kept playing and went into a cuban-sounding jam. I liked that quite a bit.

The next portion of the show featured more disco-sounding songs. I had heard I'm Coming Out and My House before, but they're not really in my musical world. Thankfully, during these songs, there was more visually going on. The screen showed pictures of the Supremes and other scenes from Ross' past. She invited a couple fans up to dance with her. One little girl was smiling so big, I didn't need the binoculars to see it. She also played Ease on Down the Road, which I remember from watching The Wiz on TV when I was little.

My favorite part of the show was the next part. Diana Ross sang a few jazzier songs. The backing vocalists weren't used and only some of the band members stayed on stage, so it was a less full mix. I think these songs highlighted her voice the best. There wasn't so much aural competition.

There were other songs later on that I knew like the theme from the movie Mahogany, Ain't No Mountain High Enough, Endless Love. There were a few that I knew but didn't associate with Diana Ross: Why Do Fools Fall in Love and (ugh) I Will Survive. I turned to Roy during that one and said "Disco still sucks". Roy pointed out that at least it was being playing with real instruments.

Diana Ross refered to this herself. She didn't say much during the show and didn't do much to introduce her songs. But before the encore, she mentioned that this was "real music" and introduced her entire backing band. I wonder how it is for a pop singer who has been active so long. She's probably gone from being backed by an orchestra, to rock band instrumentation, to synthesizers and computers, and now back to live musicians. I don't know if she plays any music herself or always got to choose who was playing with her, but hopefully, she can tour with the sound she wants now at this point in her career.

(I do have to admit, I once saw Brian Wilson on his SMiLE tour play with a similar sized backing band. It remains the best sound I've ever heard at a concert. Every instrument could be heard distinctly, but blended together well. The sound here wasn't nearly that good. After the first couple songs, I didn't feel like I was lost in the mix at least.)

I didn't know the songs from the encore. Diana Ross came out in my favorite of her costumes, sweatpants, a zipped up sweatshirt, and sneakers. She told us she was leaving when this song was over, and she was dressed for it. There were a few songs I would have liked to hear that she didn't play: I Hear a Symphony, Baby Love, You Keep Me Hanging On. The show had a great presentation, great production values, and it was a lot of fun. Plus, it ran for just over an hour and a half. It was over around 9:20pm, and we got home well before 10pm on a Sunday night. It is so nice going to a concert and not having to recover from a late night.

State of Independence

Jon Anderson and the Contemporary Youth Orchestra
Liza Grossman, Music Director
Severance Hall
Cleveland, OH
Monday, May 24, 2010
Section 200, Row A, Seat 210
$42


Jon Anderson had just finished the first song in the world premiere of his new four-piece suite. Roy turned to me and said "Wow." We had managed to not only get seats in the front row, but directly in front of Jon. Jon was looking for audience reaction and saw our exchange. "Wow?", Jon made eye contact with Roy and mouthed this to him. Roy smiled and gave our hero a thumbs-up.

This is the second time we've seen Jon after his illness in 2008. We saw his first show back, last year in California. I wanted to be there to show my support for Jon. He's been doing more one-man shows, but this was something different. He was playing with the Contemporary Youth Orchestra in Cleveland, playing his songs with a full orchestra and choir. We saw him with the Youth Orchestra once before, in 2004. It remains one of my favorite concert experiences, and we jumped at the chance to go to this one.

The trip itself took a couple changes. The show was on a Monday, and we originally booked a flight coming in on Sunday night. The venue and our hotel were in the University Circle area of Cleveland, home to colleges and a number of museums. We'd have time to be tourists. Then, I found out the finale of Lost would be airing that Sunday night, and I had to watch that live. We changed our flight to fly out Monday morning. It led to two late nights of entertainment and two early mornings of flights. Plus, our flight on Monday was delayed, so we got even less time to sightsee in Cleveland.

We got together with my friend Jerry and his new girlfriend Vicki at the hotel, and then we went to dinner at a place next door to catch up and get acquainted. The venue was a classy one this time, the home of the Cleveland Orchestra. Jon deserves it; he should aways get to play places this nice. It was just a short walk from the hotel. I bought a bottle of water to smuggle into the auditorium. We didn't even see the merchandise or the artwork on display.

I jokingly told Jerry and Vicki that Roy's and my seats were "right in front of Jon". I didn't realize it until we found that seats that we were, indeed, right in front of his microphone stand. Jon's wife Jane had a seat in the second row right behind Roy. I've had seats in the front row for Jon before, but never quite this close. He was set up right by the edge of the stage. Standing up, we could have touched his microphone stand. I stood up and waved to Jerry, so he could see exactly where I was sitting.

The show got off to a wonderful start with Starship Trooper and Long Distance Runaround. Trooper was reworked somewhat. I looked back to see if Jane was going to stand up to applaud. I followed her lead and gave Trooper a standing ovation. We all applauded for a long time. There was another ovation for Long Distance Runaround.

In Jon's solo shows, he's only been doing the Life Seeker part of Starship Trooper, changing it almost to a verse-chorus-verse structure. The orchestra played that part, but also the instrumental Wurm. I wondered if he dropped the "Loneliness is a power that we possess" lyrics because they were Chris Squire's. Later on, Jerry pointed out that he also left out the "you and you may follow" part. His voice may not be strong enough to hold the note on "follow".

Regardless, the orchestra sounded wonderful and Jon sounded even wonderful-er. This concert hall is built for acoustics and the orchestra just washed over us towards the finale of Starship Trooper. Jon sounded and looked much stronger than he had last year. We had a small speaker near us carrying Jon's voice and guitar and the choir. I joked later on that this was the "QPR mix", since we could hear Jon's guitar high in the mix.

Jon did a couple more unreleased songs, some that I recognized from other shows, some that I heard for the first time this night. The song Big Buddha (which used to be called This Is or The Buddha Song) sounded particularly good with the choir. We heard probably the best version of the song Show Me that I've heard, but I still wasn't sure we needed to hear it again.

The big deal in the first half of the set was the premiere of the four-song set. Jon had written it for orchestra and choir, so we were going to hear it exactly as conceived. The four parts were Children Yet to Come, Earth Singing, Breathing, and Love is All. Roy's reaction might have been "Wow", but for me, the performance could have been better. Jon was reading the lyrics right off his lyric sheet, and sometimes he sang towards the lyrics rather than into the microphone. He told the audience he was so excited by the musicians on stage that he wasn't paying enough attention to his own part. I want to hear it again before making any judgements.

During intermission, Jerry and Vicki came up to our seats and compared notes. This was Vicki's first time seeing Jon live, and what a show to see. Roy pointed out some of the musicians who looked like they were really enjoying performing this music. (I had eyes only for Jon.) If anything the second half of the show was even more impressive than the first.

Someone named "Warciple" took this picture and posted it online. He kindly gave me permission to use it in the blog. It looks like this was taken during the intermission. You can see me standing right in front of my seat with my back to the stage, in the bottom right corner of the photo.

The second set opened with a beautiful And You And I. It had more magic than the version done by the current line-up of Yes. I've enjoyed almost all of the shows I've seen by the new line-up, but this just highlighted what they are missing. Some years ago, I would have said I was tired of hearing this song live, but then I fell in love with it over again.

The next new song was called Earth and Peace, and it was my favorite of the new pieces. I think Jon's singing was really great, showing off that beautiful voice.

The high point of the whole show was State of Independence. Liza Grossman, the conductor and music director, asked to give the introduction. She mentioned how great this song was at the previous Contemporary Youth Orchestra and how the theme of independence relating to the youth orchestra and this performance. The event was named "State of Independence". It was a great performance. Liza also gave Jon a queue during the song. Jon held his microphone up to the lead violinist for a short solo during the song. And afterward, Jon looked over at Roy, and gave Roy a thumb's up! He knew this was a great one.

The only nitpick I had with it was that Jon got some of the lyrics wrong. It's hard when I'm singing along with Jon and suddenly, I'm not in sync anymore. It pulls me out of the song. (This happened with Owner of a Lonely Heart in the first half too.) Still, this sounds powerful with the orchestra behind him.

We heard some other great songs too. Your Move/All Good People, Roundabout, Change We Must, Soon. Jon told us to sing along, but not to stand up, because we were in such a fancy venue. I was bopping along in my seat to Roundabout. There were multiple cameramen out there, filming this for eventual release. I noticed one of the cameras aimed at our row while I was singing and dancing in my seat. I tried not to react to it. I wonder if I'll end up in the final release?!

The encore was additional versions of Starship Trooper and State of Independence. It was great hearing them again. I guess for a classical thing like this with all the arrangements needing to be written out and everything needing to be rehearsed, they can't have "extra" songs to play during the encore. Jon got the words right this time, but Roy thinks the violin solo was better during the first performance.

We met up with Jerry and Vicki again. Vicki says she understands us following Jon and Yes around now. We talked for quite a while, and then I remembered I wanted to buy a t-shirt and a poster. I was sure that the merchandise booth would be closed by now, but Roy told me to check anyway. I was happy to be wrong! I made my purchases.

I've been able to meet Jon Anderson at a number of his shows. Sometimes he does meet-and-greet after the show, and sometimes he talks to fans waiting outside. This was a big building, and we had no idea where to wait or how long it would be. I felt like I lost an opportunity here, but I agreed that it was fruitless to hang around. We all walked back to the hotel and hung out in the lounge for another hour. Jerry showed us his iPad. We talked about this show, other shows we had seen, and how lucky we were to be part of this world.